WAREIWA
Object: floor lamp
Dimensions: 25 x 25 x 100 cm
Author: Kengo Kuma
Year: 2026
Description:
Looking at survival through a cultural lens, the Japanese notion of “mono no aware” reflects an awareness of the fleeting nature of beauty, where impermanence becomes a form of continuity. Stone is approached not as fixed mass, but as something that can open and dissolve. Light enters through its fractures, revealing a condition where survival lies in embracing change.
Object: floor lamp
Dimensions: 25 x 25 x 100 cm
Author: Kengo Kuma
Year: 2026
Description:
Looking at survival through a cultural lens, the Japanese notion of “mono no aware” reflects an awareness of the fleeting nature of beauty, where impermanence becomes a form of continuity. Stone is approached not as fixed mass, but as something that can open and dissolve. Light enters through its fractures, revealing a condition where survival lies in embracing change.
Open for sale.
For price inquiries, please contact: hello@theline.gallery
For price inquiries, please contact: hello@theline.gallery
DUST
Object: low table
Dimensions: 150 x 150 x 22.3 cm
Authors: Marcio Kogan, Diana Radomysler and Pedro Ribeiro
Year: 2026
Description:
From dust we emerge, and to dust we return. The work reflects on eternity not as permanence, but as a continuous cycle where matter is never lost, only transformed. What appears as an end becomes a beginning, as form dissolves and reconstitutes itself. Survival unfolds within this cycle, where every end returns to its origi
Object: low table
Dimensions: 150 x 150 x 22.3 cm
Authors: Marcio Kogan, Diana Radomysler and Pedro Ribeiro
Year: 2026
Description:
From dust we emerge, and to dust we return. The work reflects on eternity not as permanence, but as a continuous cycle where matter is never lost, only transformed. What appears as an end becomes a beginning, as form dissolves and reconstitutes itself. Survival unfolds within this cycle, where every end returns to its origi
Open for sale.
For price inquiries, please contact: hello@theline.gallery
For price inquiries, please contact: hello@theline.gallery
IF ONLY FRANCOISE KNEW
Object: low table
Dimesions: 104.8 × 92.4 × 40 cm
Author: Bernard Khoury
Year: 2026
Description:
A life continues through an unpredictable turn, where survival is shaped by circumstances beyond intention. This condition reappears in a repeated act, the same gesture performed again and again without consequence. Its continuity suggests stability, yet remains entirely exposed to chance, until a single moment breaks the sequence and reveals its underlying uncertainty.
Object: low table
Dimesions: 104.8 × 92.4 × 40 cm
Author: Bernard Khoury
Year: 2026
Description:
A life continues through an unpredictable turn, where survival is shaped by circumstances beyond intention. This condition reappears in a repeated act, the same gesture performed again and again without consequence. Its continuity suggests stability, yet remains entirely exposed to chance, until a single moment breaks the sequence and reveals its underlying uncertainty.
Open for sale.
For price inquiries, please contact: hello@theline.gallery
For price inquiries, please contact: hello@theline.gallery
OVUM
Object: sculpture
Dimensions: 50 x 50 x 43 cm
Author: Claudio Silvestrin
Year: 2026
Description:
Often, in ancient times, objects had symbolic and holy meanings.In Delphi, for instance, the omphalos was a sacred stone, similar to a huge egg (egg as the symbolical form of life and not literally a hen’s egg), and was the navel of the earth, the meeting point of west and est, chosen by Zeus. In our present materialistic culture, the spiritual, symbolic, sacred and holy are mocked. Science is the new god. However, the sacred transcends time and our materialistic culture will eventually pass. In time sacred objects will reemerge for, the spiritual force was, is, and always will be stronger than mere materiality.
Object: sculpture
Dimensions: 50 x 50 x 43 cm
Author: Claudio Silvestrin
Year: 2026
Description:
Often, in ancient times, objects had symbolic and holy meanings.In Delphi, for instance, the omphalos was a sacred stone, similar to a huge egg (egg as the symbolical form of life and not literally a hen’s egg), and was the navel of the earth, the meeting point of west and est, chosen by Zeus. In our present materialistic culture, the spiritual, symbolic, sacred and holy are mocked. Science is the new god. However, the sacred transcends time and our materialistic culture will eventually pass. In time sacred objects will reemerge for, the spiritual force was, is, and always will be stronger than mere materiality.
Open for sale.
For price inquiries, please contact: hello@theline.gallery
For price inquiries, please contact: hello@theline.gallery
BIRTH
Object: table and chairs
Dimensions: 50 x 50 x 50 cm
Author: Ugo Cacciatori
Year: 2026
Description:
Dimensions: 50 x 50 x 50 cm
Author: Ugo Cacciatori
Year: 2026
Description:
A single
gesture cuts through mass, generating form through subtraction. What is removed
does not disappear, but reappears as its counterpart, binding presence and
absence into a single condition. The two elements remain inseparable, parts of a
whole that persists through relation. What endures is not the object itself,
but the originating act.
Open for sale.
For price inquiries, please contact: hello@theline.gallery
For price inquiries, please contact: hello@theline.gallery
MAURIZIO
Object: table
Dimensions: 230 x 110 x 75 cm
Authors: Elias and Yousef Anastas
Year: 2026
Description:
Dimensions: 230 x 110 x 75 cm
Authors: Elias and Yousef Anastas
Year: 2026
Description:
A stone table
shaped through stereotomy, where survival emerges as collaboration between the
blocks. Individual elements, precisely cut, interlock and support one another,
distributing forces in a complex balance. Alone, they could not stand, together
they defy gravity. Unity becomes strength, as each piece contributes to a
shared permanence, sustained by collective action.
Open for sale.
For price inquiries, please contact: hello@theline.gallery
For price inquiries, please contact: hello@theline.gallery
THE SHORE
Object: table
Dimensions: Dimensions: 165 (d) x 16 h
Authors: Francesco Librizzi and Riccardo Robustini
Year: 2026
Description:
Dimensions: Dimensions: 165 (d) x 16 h
Authors: Francesco Librizzi and Riccardo Robustini
Year: 2026
Description:
The Shore is a continuous, shifting boundary
that exists through change rather than stability - never fixed, never the same
twice, always becoming. It endures by transforming. A table like
an eternal shoreline, where center and edge, mass and boundary, convex and plane
coexist in unresolved tension. Thick to thin. Matte to mirror. Curved to flat.
Each transition is almost imperceptible, as stone dissolves into reflection.To survive is
not to resist, but to drift.
that exists through change rather than stability - never fixed, never the same
twice, always becoming. It endures by transforming. A table like
an eternal shoreline, where center and edge, mass and boundary, convex and plane
coexist in unresolved tension. Thick to thin. Matte to mirror. Curved to flat.
Each transition is almost imperceptible, as stone dissolves into reflection.To survive is
not to resist, but to drift.
Open for sale.
For price inquiries, please contact: hello@theline.gallery
For price inquiries, please contact: hello@theline.gallery